Showing posts with label Week 3. Show all posts
Showing posts with label Week 3. Show all posts

Thursday, February 2, 2017

Week 3 Storytelling: Sugriva and Hanuman and Sugriva's Story

 
  As Rama and Luka trudged onward through the wastelands, Rama began to despair of ever finding Sita again. It had been so many months, and she could not think of anyone who had survived for so long in a Ravager den. Luka, however, remained optimistic and encouraged her sister to keep fighting.

  As the days began to feel longer and longer, Rama and Luka traveled further from the forest where they had been sent to train and prove themselves for 14 years. One day, they were traveling by a lake, one of the cleanest bodies of water they had seen in some time, and they stopped to fill their water skins. While they were stopped, a well-built, tall woman emerged from a well-concealed den in a nearby hill and addressed them from a distance.

  The woman introduced herself as Hanna and demanded answers as to why they were wandering this infested area in the garbs of the Order. “They don’t usually come out this far,” Hanna elaborated, searching for a reason why these two girls would be so far from the Order’s base. Rama and Luka were shocked at these queries – they were well outside of Danaia district by this time, and these questions made no sense.

  The two explained as much to Hanna and inquired as to the status of the Order’s base and outposts in this district. The air seemed to grow heavy as Hanna became quiet and forlorn, casting her eyes downward and informing them of the district’s state.

  Hanna explained that the district had been undergoing a violent power struggle for the position of director. A woman named Val, the original director, had gone off on a mission to aid some agents in clearing a Ravager den out of a series of caves that had grown too close to some local villages, leaving Sugriva in charge in the interim.

  When Val failed to return from her mission for almost a year, Sugriva assumed total control and ordered the entrance to the den demolished for fear that the Ravagers were still hiding down there, waiting for an opportunity to attack. When Val returned to the entrance three months later, she took Sugriva’s actions as insubordination and a grave insult to her ability.

  After months more of digging, Val made her way out of the cave system with her party and refused to hear Sugriva’s explanation. She drove Sugriva from the director’s seat and from the base, chasing her until she, Hanna, and a small set of forces still loyal to her managed to hide in these hills.

  Hanna continued on, saying that the help of operatives from another district to take down Val may be exactly what Sugriva needed in order to wrest power back and keep the loyalty of the agents in her base. Their help would lend extra validity to the cause, especially in the light of how important Luka and Rama were back home. She enticed them further by hinting at the fact that, given their help, Sugriva would most likely be willing to deploy a set of forces to aid Rama and Luka in hunting down Sita and rescuing her from the Ravagers.

  At this, Rama leapt forward, grabbing Hanna’s arms in a sort of eager desperation and immediately told Hanna to lead them to Sugriva so that they could work out the details of this deal. Luka, meanwhile, seemed skeptical of this woman who looked like some sort of bandit and the offer she suggested.

  That evening, after setting camp, Luka went to Rama with her concerns and attempted to persuade her that the position of director here did not even seem to belong to this Sugriva character and that perhaps they could persuade Val to help them in their efforts to find Sita. Rama rebuffed her and sharply shut her sister down. In the dark night air, her words came out as a threatening hiss. “This is the most help we’ve been offered so far, and I’m not about to jeopardize Sita’s life further just because YOU’RE vaguely uncertain. That’s not fair to her.”

  Luka saw the terror and fear bordering on madness in her sister’s eyes and let her be. This was not the right way to save Sita, but she would quiet her conscious on this matter to save Rama’s sanity, and the next day they went to meet Sugriva.

Author's Note
I chose to take on these stories because I wanted to highlight how desperate Rama gets in regard to Sita. He really doesn't think straight even when Lakshmana does. I also felt that I wanted to make it clear that I don't think Sugriva ever really had a claim to the throne and Rama's business with him seemed more shady than it was originally written. I think that Lakshmana should have noticed that, and so, in my story he did.

Bibliography:

Tuesday, January 31, 2017

Reading Notes: Public Domain Edition Ramayana Section D


The Bridge
  • Why did the King of the Ocean refuse to help Rama? Was it impossible or did he need to remain neutral?
  • I think it's interesting that Rama was often described as peaceful and sage and wise, but in relation to Sita he seems to often react violently and with great emotion - he threatened the very ocean.
  • I do think that this is a good show of persistence - when prayers and supplications failed him he continued to try; however, this also reflects poorly on his temper.
Rama Attacks
  • Sita is truly, truly dedicated to Rama if she is willing to die because he is dead.
  • I wonder why Ravana didn't try this trick earlier since she's clearly dedicated to her husband.
  • Ravana is a very stubborn person.
  • He has a host of gorgeous wives - why does he care so much about seducing Sita.
Indrajit
  • Why is it that when Indrajit hides to kill warriors with a bow and arrow it's evil, but when Rama does it to Vali he's considered a hero?
  • Sushena seems very level considering the situation. Has he seen battle before?
  • Ravana is really determined to go with this 'Rama is dead' ruse.
Kumbhakarna
  • I have difficulty picturing arrows severing someone's head. I may change that detail in my own story. 
  • Was Sugriva injured or killed when Kumbhakarna carried him off?
  • If the rakshasas were in such desperate straits that must mean that the monkeys and Rama's forces are making an incredible amount of progress. 
  • I have heard nothing more of the bears, though, are they still here?
Hanuman and the Mountain
  • Yes, the bears are still here.
  • This fits perfectly with everything I know about Hanuman so far - brave, strong, rash, impatient, and heroic.
  • I like this idea of the heroes playing smart, though. I want to include a similar scene where they use the situation to fool the villain into thinking they have won and leaving too early.
Lakshmana and Indrajit
  • Beheading seems to be a very popular mode of death.
  • Especially beheading by arrow.
  • I like this side of Lakshman - very brave and stoic as well as unerringly faithful.
  • Vibhishan is really wise. I think that's very central to his character. He very much serves as an advisor to the protagonists.
Ravana's Lament
  • This is a classic case of "you reap what you sow."
  • I think this scene would play nicely into the story I'm writing.
  • I also like the idea that grief can cause people to act in ways that one would not think that they might - for instance trying to kill the woman they're waging a war for.
Ravana and Lakshmana
  • I like how this scene emphasizes Lakshmana's humanity. He's not invulnerable. 
  • Ravana is a really good warrior. I think one of the points being made here is that, although generally associated with favor from the gods, being a good warrior does not necessarily mean that he is a good king or a good person.
Indra's Chariot
  • The gods are very willing in this story to become involved in mortal affairs.
  • Granted, they have something of a stake in this particular battle, but I'm noticing that they're generally not opposed to involving themselves for the sake of someone who prays to them for some kind of blessing or aide.
  • This is definitely supposed to be the epic battle scene where the hero turns the tide of the battle for his people.
Battle of Rama and Ravana
  • I wonder how worship to the Sun God will aid Rama's victory.
  • I didn't realize that Ravana was essentially the human equivalent of a Hydra.
  • Maybe Rama should try to shoot him in the heart.
Ravana's Death
  • I wonder if Rama was aware of the task the gods needed him to accomplish.
  • Did it have to be a divine weapon to pierce his heart?
  • I think it did because I would like to take the 'heart of iron' line literally. It would make sense given everything else I know about Ravana's character.
Mandodari's Lament
  • One thing I really really like about this story, and perhaps the culture of India, if this is, in fact, culturally accurate, is the immense respect people pay the dead. 
  • Rama chose to allow Ravana, the man who kidnapped and tried to seduce his wife, a proper funeral out of respect for the dead and mercy on the mourning.
  • I also like that no ill will is paid to the allies of an enemy once the enemy is defeated.
Sita and Rama
  • I can not believe that this is how Rama treats her after he literally fought a war to rescue her.
  • This will be altered in my story.
  • In lieu of this preposterous interaction, I may include an argument of some kind asking why Sita didn't try to escape, but this will not happen.
Sita Tested
  • I do not believe that Rama trusted Sita the whole time. I find that ridiculous. 
  • I do, however, acknowledge that the test was necessary for the belief of the people.
  • I see that Rama did not know he was a god. This makes some of his behavior quite interesting.
Pushpaka
  • None of this is new information, but I am wondering how long this all took.
  • Is their 14 years up now?
Rama and Bharata
  • One really interesting thing to me is how much the people in these stories tend to value their word. 
  • Bharata truly spent 14 years ruling in proxy with his brother's shoes in the throne. I find that very interesting because it isn't at all how people tend to behave in my experience, though there are some who truly value their word.
Rama Crowned King
  • One thing I've noticed is that, while Rama is often painted blue, other people who are said to be incarnations of gods are not necessarily also painted blue. 
  • The kingdom flourishes under a good and just ruler.
Valmiki's Hermitage
  • I have no idea whatsoever why Rama's sons are attacking the city.
Sita Departs
  • I would like to note that Rama did not have to die alone had he not sent Sita away in the first place. 
  • I think she may have prayed like that because she was beyond hope that she could live out a happy life with her husband who literally banished her.
Rama Departs
  • Apart from the fact that Rama destroyed his own love life, that is a very satisfying close to a gripping tale. I think it makes sense that eventually Rama and many of the people who adventured with him were ready to die. 
  • I find it interesting, though, that Rama did not allow Hanuman to follow him to heaven. I wonder if he was allowed to join him later.
  • Rama said he was to live forever, but perhaps that was not precisely what he meant.

Bibliography

Monday, January 30, 2017

Reading Notes: Public Domain Edition Ramayana Section C


Sugriva and Hanuman
  • I'm having trouble picturing what size Hanuman might be.
  • I wonder why the son of the Wind God can't lie.
  • I think Rama and Hanuman already have an interesting sort of dynamic. On the one hand their relationship so far is very much "I'll help you out if you do the same for me" but on the other they already seem to be getting along very well and I anticipate that they will become extremely close.
Sugriva's Story
  • Why do so many heroic-warrior type characters insist on feeding their pride and ignoring good sense. If Vali had taken a moment to consider his brother's character there need not have been conflict.
  • I find it interesting that thus far the servant of Sugriva seems to have a much more central role than King Sugriva himself. 
  • I guess this means that Sugriva is not much of a warrior. I wonder if he was a good king.
Sugriva and Vali
  • It's insistence on violent solutions to problems that leads to situations like this. This could have been easily solved by simply having a level discussion together. 
  • I also think it's interesting that the women so often tend to offer insight to their husband's that fall on deaf ears.
  • I wonder why Vali and Tara's son brought the information to Tara first, not Vali. 
  • Maybe it's because he, correctly, believes that Tara will be more receptive to the news than his father.
Vali's Death
  • It seems that time away from Sita is making Rama more and more willing to loosen his morals for the sake of getting her back.
  • I want to know what caused Rama to wholeheartedly support Sugriva in spite of the fact that we, as readers, have seen no indication that Sugriva is more morally sound or fit to rule, nor does he have any claim to the throne over his brother.
  • In my rewrite, if I choose to include the stories that are centered around Sugriva and Vali, I'm going to make it clear that Sugriva, not Vali, belongs in the seat of power.
King Sugriva
  • The emotions described here are a very unconventional mix.
  • It's almost as if Vali was a good leader, but the people acknowledge the justice in his death because of either the way he treated his brother or the laws they have laid out regarding combat.
  • What I can't figure out at all is why they're praising Rama who only shot him with a bow and arrow.
The Rainy Season
  • It's interesting to see a hero give in to depression like this. Lament is an apt word for the bemoaning he's doing.
  • I want to highlight that in the story I'm writing. I think it shows depth of character. 
  • I also think that there's a lot of beautiful imagery I could add since this takes place during the rainy season.
The Armies
  • Sugriva's behavior makes me think that Vali actually might have been a better king. 
  • Rama may have aided Sugriva in order to have a powerful and easily mainpulated ally.
  • That's how I would write this - as Rama effectively lying down with a dog in order to achieve his ends.
Sampati
  • Sampati's character is an excellent reminder that, in general, the people in this story are rewarded for virtuous behavior and punished for evil behavior.
  • Does this mean that some harm will befall Rama or one of his friends because of the way that he killed Vali?
  • Why does Sampati call it the rape of Sita? Is he just assuming?
Sampati and Jatayu
  • More proof that Sampati is reflective of this fact.
  • Because he lost his wings protecting his brother he, in time, had them returned to him.
  • I like this small peek into Jatayu's past as well. 
Hanuman's Leap
  • These magical aspects of Hanuman's character may make him harder to adapt to my version. Perhaps I will give him a penchant for invention and a set of tools that can do many similar things to his powers in the original story.
  • This passage also reveals Hanuman's devotion and passion for his newfound friend.
  • I wish I knew what made him care about Rama so much and so quickly.
  • I do like the inclusion of a sea demon to demonstrate Hanuman's newfound power.
Hanuman in Lanka
  • This is a very telling chapter to the story. No one searching for Sita really actually knows what she looks like. They are currently on a countrywide search using the descriptors "pretty, faithful, and in love with Rama".
  • That is a poorly planned search if ever one existed.
  • I also find it interesting that, upon not initially finding a woman whose looks he does not know he assumes she must have been eaten.
  • I feel that Hanuman, though powerful, may be something of a rash character.
The Ashoka Grove
  • This part of the story starts getting into some cool adventures and gripping imagery that could make for an interesting adaptation
Sita and Ravana
  • How will Hanuman talk to Sita without getting caught?
  • I think it's interesting that Ravana is just now providing this ultimatuum. How long has it been since he kidnapped her?
  • Why might Ravana bring a train of his wives while trying to persuade Sita?
  • Perhaps they're supposed to be proof that he is a powerful warrior and a good husband.
Hanuman and Sita
  • Hanuman is a very persuasive monkey. He wastes no time convincing Sita that he is to be trusted.
  • I do like the devotion aspect of Sita's character, but in my story I want her to have more character traits apart from just devoted.
Hanuman Captured
  • I reiterate my point that Hanuman is clever and wily. It takes him no time at all to determine that it would benefit him greatly to allow himself to be captured. 
  • What does he have to say to Ravana?
  • Hanuman killed of Ravana's sons, I think.
Hanuman and Ravana
  • Ravana is an interesting character.
  • He is a demon and literally kidnapped Sita and is threatening her with death, but he won't defy social customs and kill Hanuman.
  • Why, specifically, setting his tail on fire?
  • Hanuman is very courageous to say to Ravana's face that he ought to let Sita go given the fact that he's in the middle of a court of demons.
The Burning of Lanka
  • Hanuman is generally very clever and courageous, but burning Lanka was fairly foolish.
  • I suppose this is what happens when someone whose tail has been lit on fire no longer feels pain from being burned, though.
  • Sita's prayers are very powerful. 
  • She and her husband are very holy.
The March on Lanka
  • I think Hanuman may be generally a rash person considering his advice was that the city was practically taken already because of his fires. 
  • Rama, when not losing his mind entirely about Sita, is more prudent.
  • I wonder if this means that Sugriva is permanently done being drunk and generally unhelpful.
Ravana's Court
  • Now that Maricha's dead, none of the demons have the good sense to just give Sita back to Rama and LEAVE HIM ALONE.
  • Seriously, every demon who has faced Rama so far has ended up dead - why are none of them getting the memo?
Vibhishana
  • Enter Vibhishana, the single demon with the good sense to say what they all should be thinking: Brother, you literally stole his wife. Why did you do that? Give her back or a bunch of people are going to die. The gods are not going to be okay with this. You STOLE his WIFE. Just give her back and apologize. 
  • I will be including this character in some story. 

Bibliography